Archive for July, 2006

Sky High WiFi

Friday, July 28th, 2006

Over at Ratty’s Pepper’s Blog he explains the joys and expense of two things very near and dear to me. Hotel WiFi and breakfast. The euro/dollar rate isn’t too bad but the GBP/dollar rate is just over 2 bucks counting exchange fees. We’re getting creamed. Old roadie tip for getting cash on tour, use your ATM card to get the best rate and try to take out larger increments for reduced fees. On withdrawls I get the bank rate, plus a US$5 non bank ATM fee. What that means, is depending on the exchange place, for example the swanky places jazz singer usually stays, I can save US$30-40 on a couple hundred euro exchange. It’s not the same with my plastic accounts as I get dinged an exchange fee on the transaction, for example putting room service and Spanktravision on the ol’ Visa card. The trick to getting the cash is being able to estimate how much you’ll need for the duration of the stay. For short runs sometimes it is better to plastic it, but for longer durations having a few hundred euros, in a place like say, Amsterdam, can be a great asset.

Another roadie tip that the arena rock crowd usually don’t do are included breakfasts at the hotel. Jazz singer’s people make sure our rooms are booked with breakfast included, which is a pretty common thing over there. I don’t see that so much on the rock tours. Granted, a tour that size will take 20-30 rooms (or more) and an extra 20 euros or so per room for the breakfast starts to add up whereas with jazz singer we only get about ten rooms and a suite for dude. There’s dude and five musos, Jose the tour manager, the real estate mogul that’s our FOH dude, moi, Ghetto Einstein the backliner and dude’s dude Kaiyo, whom you met in a previous post. The arena rock kids typcially have tour catering and load in early in the morning and us flabby middle aged men of jazz usually don’t turn up until about noon. It takes that long for the Ben Gay and Aleve to kick in so we can start to become ambulatory.

One thing I wanted to try but was too tired on the way over was the WiFi on the Lufthansa flight to Frankfurt. It’s about US$40 for the duration of the flight and unless you sit in biz or 1st class you likely won’t have any seat power. I had seat power and a desire to use it but was too damn tired. I figured I’d try it on the way back. One schisim on that thought, they screwed the pooch on my return flight and I ended up with a 20 hour travel day in coach, without use of the lounge during layovers. I was pretty pissed but kept it to myself. I was more pissed when they tanked the 30k or so miles we’d logged that month and didn’t credit them to my account. It’s likely to be several weeks of grief and agony trying to get those back. If I can at all. Back to the spendy Internet access.

WiFi in Europe is very prevalent, but the Europeans don’t seem to have the penis factor thing we do here in the States with showing off our computers. They are much more low key about it and as one of my pals from that side of the pond had said, they were more concerned with laptop theft and used mobile phones for much of the comunication. Between US$30 and US$40 for a 24 hour period is pretty much the standard over there. Swisscom offers WiFi in many of the hotels and most of the airports and is likely the most expensive, slowest service of the bunch. After about a 100 euros worth of time over a bout a week, they sent me a link to a customer satisfaction form where I was able to comment that for those prices, it should be at least as fast as my cable service at home. When it worked at all. Never heard back from them. One bright spot in Spain was at the Tryp hotel chain. They had a deal for 8 euros were you got 24 hours of access, but were able to log off and log on and the username:password was good throughout the hotel chain. The only bummer was that if you were idle for more than a couple of minutes (writing a blog post, posting to the LAB, didn’t change to the next pic in the slideshow, etc) it logged you out and you had to go back through a three page log in process. I was able to fix that by opening a terminal window and pinging back here to the mothership. I left the last week in Spain with about 1000 mins left on that account. Moral of the story, WiFi over there is expensive if you have to buy it. Some do offer it gratis, but that’s not usually the case. Expect to change your surfing habits or spend a lot of dough.

Roaming data is also pretty expensive. Roaming mobile back to the States isn’t too bad, about a buck a minute with the right plan in the right place. OTOH, each of those moblog posts cost about US$3. International communication while better than it has been, is still expensive. Enter Skype. I’ve followed it for a while but still don’t have an account. I think I was the only one out of the touring party of 11 (plus two or three drivers and whatever promoter rep we had with us). The tour production ran from a combination of Skype and mobile phones and email. The Skpe is cheap, but the broadband costs offset it though they need those to be online to get email. Everyone (but me) was using it to call back to the States.

Touring overseas lends itself to some things that that you don’t see over here but if you’re smart about it, it won’t cost you an arm and a leg, just most of an arm.

The Boys Are Back In Town

Wednesday, July 26th, 2006

We made it back over the weekend, still jet lagged as all hell four days later. About 12 hours after I landed I showed up at the swanky place on the Strip for my orientation and first day of work. Fortunately we have been dark for the last two days so I can catch up on sleep. The last week of the tour really kicked the shit out of us. We’re old farts, we can’t function on only a few hours sleep a night. The last 5 days of the run I had about 14 hours of sleep.

I’m going to continue Mobloging the remainer of the tour with jazz singer and guitar player that sits. I can’t Moblog from the swanky place as that’s against policy.

As we start to prep the next leg, I’ll have 10 shows training at the pool before heading to Philly for an early load in for the first show as there are no production rehearsal dates. That day will be grim. I’m getting the patch together and programming the D5 for FOH and the D1 I’ll be using. My final gear list from the provider isn’t in yet but here’s a basic list of our requirements, not counting what guitar player that sits needs. It from a major vendor that I’ve worked with before, the other guy on stage is guitar player that sits guy who happens to work for the vendor. Isn’t that a coincidence.

Here’s the general list of what we spec…

FOH
consoles: Digidesign Venue, Digico D5 or D1, Midas XL4 or Heritage 3000 or 2000, Yamaha PM5D.
processing: If not a surface, 4 multi effects/verbs; Harmonizer and DDL. 8 gates and 12 comps with 1/3 oct eq for every zone. Subs on aux when possible.
stacks: Powered Meyer, d&b, V-DOSC, Nexo.

MON
consoles: Digico D1/D5, Yamaha PM5D-RH or PM-1D, Midas XL4 or Heritage 3000/4000 or XL250.
processing: If no surface, 10 ch 1/3 octave eq, tc EQ Station, KT, BSS, XTA. 8 ch comps, 2 multi effects
wedges: Meyer UW-1P, d&b Max or M2, Clair 12AM, Radian Microwedges, Nexo PS15. Fills Meyer CQ or MSL4.

Input devices
We bring all the vocal mics, Beta 58 for the BGV with UHF-R with KSM-9 and SM58 heads. Sax on Beta 98 on a Shure ULX pack. We provide the KSM 27s for guitar and the Beta 91 and 98s for the drums. And a Demeter DI for the bass. We also have enough 57s and 81 to finish off the gig if need be but we don’t usually break them out.

In about a week it’s the first show. Don’t have much info except it’s mainly jr sized sheds (can you really call that a shed?) a couple of theaters and a few casinos.

This Better Be The Last Castle…

Friday, July 21st, 2006



This Better Be The Last Castle…

Originally uploaded by Dave Stevens.


Pinging In From ES and Gear Notes Rotterdam, Wuppertal and Finkenstein

Tuesday, July 18th, 2006

Here in Oviedo, home of World Champ Fernando Alonso. Looking for a chance to shop for some great Fernando swag tomarrow after desayuno and prior to load in and siesta. Thomas Albenburger from the LAB stopped by Burgarena in Finkinstein and spent the afternoon and show. Always good to meet folks from the LAB and was a pleasure hanging with Thomas. We got three more dates in Spain before we head back stateside. Prior to going on the Euro leg I was offered and did accept a slot for a house gig at one of the big time production shows on the Strip. It’s at what at this point is the swankiest place on the Strip. During our break I’ll do my training and orientation then finish my extended commitment with the jazz singer. I was asked to extend my stay for the US shed run with guitar player that sits, promoting the record they just did together, inspired by our co gig at the Russian wedding earlier this year. In what may very well be my last full scale tour (thanks to Steve and John at the swanky place…) we’ll be in Philly, DC, Westbury/NYC, JVC Jazz, Hollywood and Clearwater, FL, Detriot, Chicago, Denver, Albuquerque (Bueller if we don’t use your stacks you better stop at the gig and say hi… ;-) ) San Diego, Pala, Vegas and finishing in LA and the Hollywood Bowl. Ping me if you want to stop by the gig and say hey or because it’s 14 dates in about a month (we’re old, we can’t work that hard) I’ll buy the rounds if you come by on a night off.

Gear Notes Rotterdam, NL

Venue, North Sea Jazz. Big ass room, still sounds like a hanger. They moved the gig this year from it’s long time haunt in Den Hague but didn’t fix the rooms or traffic managment issues at the festivals. With Montreux and perhaps Montreal, this is one of the ass slappin’ daddys of jazz fests.

FOH
console: 2 x Digico D5 56 FMX w/ Optocore snakes.
speakers: Martin W8L with Martin controllers and amps. Synco/Ampco front fills and subs, with the subs in an end fired config. End fired subs are all the rage over here this year. Ampco, while one of the lowest key sound companies, is also one of the best in the world. A real pleasure to work with them.

MON
console: 2 x Digico D5 56 FMX w/ Optocore snakes.
wedges: Synco/Ampco 152 and 112 with Crest 7301 power and Synco controllers. Sides and drum Synco/Ampco three way.

Wuppertal, DE

Venue: Waldbuhne Hart, capacity 2000, sold out, open air in park.

FOH
console: Yamaha PM3500
speakers: Nexo Alpha M and B with CD subs. Powered by Camco controlled by Nexo NX241.

MON
console: Midas Legend ( I hate the gig already)
wedges: EAW SM 84 with BSS Minidrives and a variety of amps. Nice guys, but they had to hire some of the stuff and weren’t quite up to operating at this level. Nothing in the mon rig matched and it was clear these guys, as nice as they were, didn’t do gigs at this level that often.

Finkenstein, AT

Venue: Burgarena (castle on hill) capacity 1150, sold out.

FOH
console: Midas XL200
speakers: JBL Lil Vertec with JBL 2 x18 subs, powered by Crown I-Techs with HiQnet software and onboard DSP.

MON
console: Yamaha PM5D
wedges and fills: Nexo PS15 w/ Nexo controllers and EV 3000 amps. The guys had a hard time last year with the gig and hacked it together, but this year revamped the mon rig and really brought an “A” game. So far the award winner for most improved. And were great guys as well.

The Gap Doesn’t Mind

Thursday, July 13th, 2006



The Gap Doesn’t Mind

Originally uploaded by Dave Stevens.


Gear Notes: Carcasonne and London

Wednesday, July 12th, 2006

Carcasonne, FR

Venue: Theater de la Cite (translation, another castle…) capacity 2000, sold out, light rain.

FOH
console: Midas XL4
speakers Martin W8L, W8LC and some of the little square subs. I was going to look up the exact specs but yet again another lame ass site. And some of you wonder why people don’t buy more of some audio products. Considering how lame many if not most of the pro audio manufacturers sites are, it’s a wonder they sell anything at all. Though to be fair, when I was in the end of the biz that was buying a bunch of stuff to rent, we never did it from the Web alone. Though I haven’t been a buyer in that capacity in almost a decade. Powered by Lab Gruppen.

MON
console: Midas Heritage 4000 w/ BSS eqs.
wedges: Nexo PS 15 with Lab Gruppen and the Nexo controllers. Sides Nexo Alpha series.

London, GB

Venue: London Tower Music Festival, capacity unknown, about 3/4 full. Big tent, get this, beside a castle. I’m ready to start banging two coconuts together and galloping like I were on a horse. It was actually quite a good gig, and being in Britain, we almost spoke the language.

FOH

console: Midas Heritage 2000.
speakers: V-Dosc ARCS and DV-DOSC in several different zones, powered by Lab Gruppen with XTA controllers and the XTA network on a tablet.

MON
console: Midas Heritage 3000 w/ BSS eqs.
wedges: proprietary, 12″ x 2″ w/ BSS Mini Omni control and Lab Gruppen power. Sides V-DOSC ARCS.

Wait For It… Another Castle

Wednesday, July 12th, 2006



Wait For It… Another Castle

Originally uploaded by Dave Stevens.


I Have To Push The Pram-A-Lot

Tuesday, July 11th, 2006



I Have To Push The Pram-A-Lot

Originally uploaded by Dave Stevens.

We only gig in castles now.

When 3 Bastard Road Is Not Enough

Monday, July 10th, 2006



When 3 Bastard Road Is Not Enough

Originally uploaded by Dave Stevens.


Gear Notes: Lugano and Collado Villalba

Monday, July 10th, 2006

Lugano, CH

Venue: City Center, free concert for Swiss TV. Broadcast live. Raining hard, only a thousand or so in attendance.

FOH
console: PM5D, non RH.
speakers: d&b Q1 (12 per side) w/ Q subs (8 per side) powered and controlled by d&b D12s.

MON
console: PM5D, non RH.
wedges: Kling & Freitag CA1215-9M (nice sounding little box, used them a few times before) controlled by K&F C2, powered by Lab Gruppen. Sides proprietary square box, fairly ugly sounding.

Collado Villalba, ES (suburban Madrid)

Venue: Campo de Futbol Municipal, (small soccer stadium) about four thousand initially, but due to show delayed by production crew, we didn’t take the stage until 0115 or so. Show ended about 0300.

FOH
consoles: PM5D-RH with Midas Heritage 3000 for support.
speakers: EV Xlc (8 modules per side) with Xsub(F) (4 per side) controlled by EV Dx38 and powered by EV P3000 amps.

MON
console: Midas Heritage 4000 w/ KT DN360 eqs with Yamaha 01v for support.
wedges: I tried to search the EV site for the model numbers but the layout of the site is so screwed up I couldn’t find them. It’s the curved little ones that have a 12″ and what sounds to be a 1″, passive with EV 2200 amps.

Note to Bosch, find whomever designed the information flow on the current EV and Telex sites and either reassign them to something else, or fire them entirely. Hopefully Bosch won’t let the folks at Telex that ran EV into the ground continue to do that. Why are the products listed by model line and not application? Let’s say a first time user is coming to the site and I want a wedge. I have to know what model brand it’s under to find it and the search is about as useful as tits on a bull. You need to promote guys like Jay and Jeff into positions where they can actually make a difference. You’ve got some good people in the middle of the org, but aren’t letting them “be all they can be”, if you catch my drift.