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	<title>Comments on: Ch-ch-changes</title>
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	<description>Damage done from nearly three decades in the roadie biz</description>
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		<title>By: Bob Schwarz</title>
		<link>http://barking.roaddog.com/2005/03/31/ch-ch-changes.html/comment-page-1#comment-68</link>
		<dc:creator>Bob Schwarz</dc:creator>
		<pubDate>Mon, 11 Apr 2005 03:07:22 +0000</pubDate>
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		<description>Sorry to see you leave live-audio.com, but I understand.Though I didn&#039;t participate actively, I lurked in the distance reading Brenkman (another old f*ck like myself)and others, and learned a lot about the live side of sound.(I spent 1961-1973 in the record and broadcast businesses). The thing that bothers me after 41 years in pro-audio is to see magazines pandering to the new wave of &quot;audio engineers&quot; that think that using a specific mic or eq is going to make the difference between a hit and a dud. My old boss Ahmet Ertegun (Atlantic records 1970-71), when told about quad sound,  said &quot;I&#039;m interested in the performance, and hearing it in mono on a car radio speaker. Anything else doesn&#039;t mean squat&quot;. And so it goes...
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		<content:encoded><![CDATA[<p>Sorry to see you leave live-audio.com, but I understand.Though I didn&#8217;t participate actively, I lurked in the distance reading Brenkman (another old f*ck like myself)and others, and learned a lot about the live side of sound.(I spent 1961-1973 in the record and broadcast businesses). The thing that bothers me after 41 years in pro-audio is to see magazines pandering to the new wave of &#8220;audio engineers&#8221; that think that using a specific mic or eq is going to make the difference between a hit and a dud. My old boss Ahmet Ertegun (Atlantic records 1970-71), when told about quad sound,  said &#8220;I&#8217;m interested in the performance, and hearing it in mono on a car radio speaker. Anything else doesn&#8217;t mean squat&#8221;. And so it goes&#8230;</p>
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